Guess who forgot to put in a title…
January 23, 2011
Ah, overshot this one by a few days but forgive me because I’ve had one of those mind-altering, snotacular colds that put you in bed for days. And anyway, you got two in the space of a week so ner.
Today’s festivities!
Disease has a way of making me lose focus so as you can imagine, everything I had planned for the past week has been replaced by a waste basket full of sneezed-in-to tissues. But now I’m feeling better and I’m taking advantage of this lack of direction because when you’re standing in the middle of a disaster, you can see everything in detail. It’s got me thinking.
I’ve been making the novel too complicated and when things start to get sticky in my writing, they also start to become implausible. With people vanishing and origins being thrown out of sync, it’s no wonder I can’t finish the first chapter. Reading shouldn’t be easy but it shouldn’t be soul-destroying either.
I’m now trying to reform the plot so it’s simple, whilst searching the top cupboard of my brain for an important answer to an essential question: what am I exploring in this novel?
I’m not sure (lie). I can’t make it out in all the mess of ideas (another lie). I don’t understand it (blah blah blah).
In truth: I’m exploring the absence of a presence.
The thing I’m unsure about is what this means and that’s an uncomfortable thought because it carries a hint of irony in it – that anything means anything. Of course it does! But only because we layer meaning over things. The idea that there’s an inherent meaning to anything is problematic. Pick an object, an emotion, a situation – whatever you want – and then open it up. Go on, don’t be shy! Right open. Now have a good look at it and tell me that the thing you’ve chosen has one definitive meaning. It doesn’t, does it?
Of course this is a bit of a farce because you’ll get the gurus (authority) who say (kinda snobbish in my head): yes yes, we’re all multiple and it’s all quite normal to be that way; there are many things but they all essentially boil down to one thing…
And then I lose interest because they’re doing it again, drawing all the multiplicity into a single point, a bit like this sentence just has. I’m stumped by this point too.
It’s too easy to say that nothing has a presence and it’s too convenient to say we’ll change it when we need to because presence never sticks around longe enough for us to a) recognise it and b) think about changing it.
This is why I need to keep it simple. For some reason my fingers started typing ‘complicated’ when my head was saying ‘simple’. There’s a conflict going on in my head and at the moment, there’s nothing I can do about it. Asides from stop trying so hard and let it go.
The Plan
- Finish chapter one and polish it so that the narrative makes sense
- Begin chapter two so that Faith finds herself in a new situation and so that I stop rotting in my own boredom
- Gently, gently, contemplate what it would mean to explore absence (TRACE) within the text itself and how this could be done
- Generate a lose and simple plot for the whole novel
- Write a synopsis based on this new plot.
There, simple. Over-and-out.
Moments and moments come
January 13, 2011
Two within a week. Who’d have thought.
The truth is I’m feeling dismal and the novel is starting to absorb all of that truth; it’s starting to breathe.
Updates to the week:
The Purge
I did something on the list. I gutted part of my room. I would have done it all but I exhausted myself and for anyone who knows what it’s like to live with chronic fatigue/pain, overdoing it is a risk. It was worth it however because I threw out multiple trinkets from a dead past, and I burnt years of notes, diaries and writings. I’ve never experienced something that silent and cathartic before. I’d say crying comes close but that isn’t exactly silent, especially when I sob
I’m pleased I did it because now the room looks and feels airy, neat and reflective; organic. I also got round to stealing that gorgeous wooden table that had been used as a platform to cut wood on. It’s stout and heavy, obviously hand-made, and it has a couple of nicks and hack-marks but they’re charming. The wood is a mix of faded brown and gull-grey. I fell in love as soon as I saw it hauled onto the deck, a freebie from a neighbour, though I forget who. It sits, warm and steady beside my bed, and the room is finally light (although I have other areas to clean out, mainly the wardrobe, but they’re not important right now).
Something new
I’ve been wanting to take up yoga for a while but have lacked the confidence, money and stamina to join a group at the gyms in the area (to my disgust earlier this year, I discovered my local leisure centre had axed yoga from its timetable). To my delight, the Chronic Fatigue Clinic gave me a leaflet about a small group held twenty minutes from where I live which was not only accessible and cheaper than a gym but was also run by a teacher who is trained in teaching yoga for people living with M.E. / Chronic Fatigue / Fibromyalgia.
I took a risk and went along. An hour later I’d done very soothing, flowing postures and a bit of chanting, and I felt so relaxed that my smile came naturally, without incentive for once. No persuasions, no materialism, no promises or bribes. This one came from just being calm and happy. I don’t have to say I’ll be going again next week, do I?
I’ll be going next week.
Second thoughts
I used to second-guess myself because of uncertainty and a lack of confidence, but recently I’ve been doing it because I’ve been thinking of different possibilities. Something clicked in the past eighteen hours (give or take) that’s made me readjust my perspective on the things I thought to be real. This wouldn’t be such a huge thing if it hadn’t happened last week or the week before that (it’s been happening for a while actually, I’ve merely been ignoring it), and I’d think little of it if last night’s eye-opener hadn’t got personal and exposed the soft, delicate bits inside to its starkness.
To be a little less cryptic, I’m wondering if pursuing a PhD has more to do with my desire for a systematic life and a shot a job (I’d be obliged to teach if I got department funding – they’d have to give me work) than my desire to have another notch on my Epic Belt of Education +5. I gave up worshipping the value of education when I realised my BSc accounted for little more than oh say, nothing, and that the paper my now defunct name is printed on is worth, wait for it, nothing.
So why the PhD? I wanted to get close to people. I know, I know; I’m full of contradictions. It’s hard to know you’re any good when other people aren’t there to remind you; this is also an absurd contradiction because I never believe them, barely care, and am more content to satisfy myself with my flat, salty focaccia bread than anyone else who’s more interested in making it perfect to create cultural, monetary and mostly unseen profits (because ‘profit’ is a concept, not a tangible thing; can you imagine having your profit in clementines? I’d be blissed-out on account of my clementine addiction).
I’ll encounter my dreams soon. PhD or not.
The Novel
I leapt off the cliff and plummeted straight down onto the rocks with a thud and felt ecstatic when I opened my eyes and saw that I was sitting on the shore, cradled by a deserted cove and the sea. I thought I’d died before I’d hit the bottom but it appears I simply woke up to the idea of making this novel my novel and not a book of suggestions made by others. I’m still trying to figure out my message but like any good story, it takes time.
Things are making more sense and I understand now, that I can create the worlds/lives/people I want and send them off into the atmosphere where they’ll exist on without me. It’s like having kids I think: you spend a lot of time and money on them and even before that there’s the sex and the growth and then the birth. Never thought I’d use a metaphor like that in my lifetime. I’m becoming more domesticated and I blame the novel. But the novel is opening me up and holding a mirror, saying you’re writing me and you’ve always written what you want; I’m your dreams, so write me and free me and then you’ll have me.
Creeping paranoia
The dissatisfaction I was experiencing a few days ago hasn’t gone but its real cause has finally shown up now that I’ve lifted the novel off its head. Have you noticed how everything is spectacle? Aristotle says that spectacle is a shitty way to develop a plot. I’m not saying life is a script in any inherent way but that we’re making it like that. And we’re doing a rubbish job of it. This is a brief observation on my part, but everything looks like it’s being slotted into categories:
- Insurance (car, home, life)
- Disaster
- War (flu epidemics, hay-fever, self)
- Appearance (fashion, beauty)
- Cars (that we don’t need)
- Coffee
- Money (quick loans, banks, credit rating)
- Price crunches and sales
And everything is spectacle; if it doesn’t dazzle and shine, or isn’t near-naked, it’s worthless. I wonder what the world would look like if it washed its face, put some clothes on and sat down for an honest conversation.
I’m shocked that I’ve written this much, but then I did promise. I’ll need to look over the list from Jan 2nd again and refresh my memory. I’m sure scrap-booking was in there and this is probably what I’ll do next, seeing as I’ve found a bunch of leaves I pressed last autumn, along with a wealth of postcards I’ve collected over the years.
Until then.
Oops
January 8, 2011
We all knew it’d happen. I’m still trying to figure out the link between ‘loss-of-interest’ and ‘forgetting’ but let’s not make this too complicated because it can’t be any simpler than this: I almost screwed up on my ‘one new post a week’ promise I made at the start of the year. I think I’m in time to catch the last moments of a week, aren’t I?
What matters is that I’m here now. Actually what matters is that I have something to say, should have something to say, and I think I do. Something about being dissatisfied with what I’m doing at the moment, that is, trying to write the first chapter of this novel. Again.
I changed a bunch of things; I’ve figured out some decent imagery instead of groping at bored clichés and hoping they’d work for me, and I’ve started the process of letting my main character be herself (which is in part me but tenfold) and call the shots when it comes to her own details.
The plot has changed again but has simplified which I’m pleased about because it was all getting out-of-hand and becoming a farce rather than a genuine exploration of an existence that in part seems alien to me but one that I wish would cave in on itself so that I can experience it fully and then find a way out of. Because escape is so much easier to practice when there are gaping holes.
Things are working out in a haphazard way and I’m guessing that this is okay as long as I produce something (which I am) so why the dissatisfaction? I’m going over the same old stuff again and again, trying to reshape it when I’m close to scrapping the whole lot and starting again. I hear this is common practice but I’m whining about it because
- I don’t have the luxury of time; this needs to be completed soon or I fail the module
- I’m getting restless; I want to move on and explore other chapters
- Everything I’m writing is hollow; the inner critic is trashing everything I do and this isn’t helped by the fact that I keep reading exquisite novels by published authors including Bret Easton-Ellis (Lunar Park), Scarlett Thomas (PopCo), and Amy Sackville (The Still Point), my most recent expedition into the land of ‘They’re So Much Better Than Me’.
- I’m discovering huge gaps in my knowledge and worse, my memory. There’s a residue of all the things I should know and a bunch of faint memories where I was learning these things but apart from the occasional scrap of detail that arrives as an epiphany, there’s not much going on upstairs. I learn and then forget.
The real plus out of all this is that my notebook for the project is intense and detailed. I can trace (hehe) how everything has been changing from those weird seed moments right to trying to figure out the formation of a family tree where fathers and mothers are really aunts and uncles.
I think I’ll take a risk today and begin the novel again. I’ll aim to reach 5,000 words by 6pm. I can only gain. Even if I don’t use it as the opener, I’ll have plenty of new material to work and adjust the original chapter with.
But first, lunch.
Until next week (if I remember).
